Youth without taste' was released in the public screening yesterday.

Directed by Leo Lee ling, founder of picture dream animation, director yi xiao-xing and Makoto Shinkai, the full-length animation" Youth without taste, "(Japanese regional title: shiji weaving), officially released yesterday. The super high quality of the animation style and the occasional insertion of dialect dubbing have caused many netizens to thumb up. The cross-boundary attempts of the three Chinese and Japanese directors have also been successful, injecting a shot of inspiration into the domestic animation industry and exploring a new mode of transnational cooperation.

The high quality is praised by netizens & NBSP; Dialect dubbing resonates

"Youth without taste", which is full of literary and artistic flavor, abandons the consistent routine of domestic youth films, takes emotion as the starting point and does not purely pursue commercialization attitude, from the elaboration of the details of dialect dubbing to the extreme beauty of the picture. All these high quality make "youth without taste" win unanimous praise from the audience.

Among them, "a bowl of homesickness" based on the real experience of director yi xiaoxing impressed the audience the most. "I was most moved by the three parts of the animation about the rice noodles in SAN xian. "Dress floating light" chapter in fact cantonese dubbing for the same struggle in the field of guangdong "float" the audience feel kind, story model professional sister with sister alone in big cities struggle, the difficulty of the drift and bitterness let the audience feel the intense sympathetic chord: "watch when suddenly heard cantonese dubbing too surprise, sister's strong inside also like me, she experiences of many I have ever faced". In addition, as a tear-inducing role in the three stories, the story of "fine rain beginning to clear up" made the audience feel the strongest emotion. When the Shanghai dialect gradually became less and less among the young people, netizens even gave high comments that it was "more moved than Makoto Shinkai animation".

The cooperation between Chinese and Japanese directors exceeded expectations. Leading the new mode of transnational co-production

In addition to the high quality and strong feelings of the story presentation, the cooperation mode of the Japanese production of the Chinese story also set the tone of hot style. As an original domestic full-length animation,Youth without taste,skillfully avoids the dilemma of insufficient localization and gives the best model of sino-japanese cooperative animation.

First, your name. The production company's commitment provides a strong guarantee for the film to inherit the Makoto Shinkai style of painting. In addition, the dream company, which has created many classic animations, comprehensively controls the core of the story. The restoration of landmarks, the surprise attempt of Shanghai dialect and the most high-quality visual expression have made the local Chinese story more amazing under the delicate packaging of the Japanese team, which has injected a shot of encouragement to the domestic animation industry.

& have spent & have spent Painted by the Shanghai culture communication co., LTD., ili outstanding industry co., LTD., bilibili product, Japanese animation studio CoMix Wave control-insistent pang make grinders, Beijing set up culture media co., LTD., joint production of a full-length animation "youth without taste" (title in Japan: "poetry season organizations"), on August 4, in the national art line is opened, synchronization between the two countries hit.

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