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'Married girl at sea' ending with Shanren's "Fourth-grade Mature Girl"

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" Married girl at sea " directed by well-known director Lin Lisheng , producer Xiaohong Qian , starring Wang Lei , Ada Choi , Zhang Meng (actress) , Fan Lin Feng , Li Xinai , Weiyu Cao , and Monica Mok . The topical drama “Married girl at sea” recently officially ended. The drama broke the inherent image of middle-aged women in the film and television drama, focusing on social issues such as mother-daughter relationships, emotional choices, and anxiety in middle-aged empty nests, with solid stories and The novel perspective has been praised by the mainstream media such as the People's Daily and has achieved both good word-of-mouth and warmth. It has become another milestone of Shanying’s realist theme.

For the middle-aged women, the road to innovation has never stopped

Unlike the thick, historically-influenced men's play in the past, Shan Ying put forward a fresh idea of ​​"Fourth-grade Mature Girl" in "Married girl at sea". The so-called "fourth-grade mature girl" refers to a woman in her 40s. In “Married girl at sea”, such women are no longer the wicked mother-in-law and mother-in-law who are entangled with their wives or their sons-in-law, nor are they great mothers who have lost all their own lives and lost their own lives, but are successful and brave. Pursue personal loved plump characters. Abandoning the traditional fixed-featured image of middle-aged women in the film and television dramas and giving them a "woman's essence" as a woman is the perspective of the "big woman" story re-excavated in "Married girl at sea." The love line between Shen Fangzhou (Wang Lei) and Michiyo Ho Ching has made the lives of middle-aged people more vivid and exciting. There is no idol of Mary Sue, nor is it a hysterical love story, mature intellectuals and passionate middle-aged people. Love became a highlight of the play, and the final open ending was also a bold attempt to make the hero's pursuit of life and character characteristics in the end have been perfect Sublimation .

In addition, the point of hitting the pain point of modern parent-child relationship is also a drama design feature that cannot be ignored in the drama. Whether it is the mother or daughter's “love to kill each other” or the middle-aged empty nest crisis and anxiety, the realistic depiction takes the audience to examine their own family relationships. Inspiration and thinking. With a solid foundation of ideological connotations, Shanying “Made by Quality Machines” continues to work on the production of “Married girl at sea,” taking pictures of Rio, Shanghai, Dali and many other places. Bright and colorful shades, sophisticated styles, together present a different urban fashion.

Propaganda breaks through routines to dig urban emotional drama network genes

To treat a traditional urban sentiment drama, “Married girl at sea” followed hotspots and advancing with the times, creating Ada Choi expression packs that successfully integrated into the Stars’ rice bowl, breaking the barriers of dimension and enriching the audience structure. . In the audience's controversy over the dubbing of Ada Choi, "Married girl at sea" accurately targeted Ada Choi's portuguese propaganda in the publicity and upgraded the soundtrack to rap, attracting the spontaneous follow-up of netizens. "Ada Choi rap "Ada Choi responds to the questioning of Putonghua." Search words burst into Twitter's hot search. From point to point, "Married girl at sea" touches more people. The rap book is a new element that the mountain shadow creation team intends to join in the production. It adds an easy and funny atmosphere to the drama. The broadcast effect on the network is also good. The netizen can't help but ridicule Ada Choi. Nerve accent. ". These propaganda actions, based on the combination of popular elements of the moment, are the second creation of the episode and the whole-web fermentation, which not only matches the original intentions, but also breaks through conventional thinking and routines, refreshing the “Married girl at sea” in the hearts of the audience. The traditional image makes it more web-feeling.

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