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Qin Yuzi's LUNA, let us learn to listen to songs

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Many people look at the show and think it is just entertainment and entertainment. But there is no draft show, how can I hear so many legendary voices scattered in the rivers and lakes, and some of these voices, but also to listen to one ear feel amazing, and then listen to an ear still feel amazing, such as Qin Yuzi.

As a student of the third season TheVoiceOfChina , Qin Yuzi is one of the most impressive players of the season. However, like many singers who came from the draft, Qin Yu-zi, who had finished the show, did not make any progress in Singing . This is the reality of society. Sustained exposure can only be continuously watched, and some people are slowly disappearing into crowds because of low attention. Of course, brutally speaking, some singers go away, but some singers are worth waiting for you, such as Qin Yuzi.

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After joining the "Taihe Music" music carrier, Qin Yuzi finally launched a brand-new single "LUNA" that is really his own. Compared to newcomers and new labels, Qin Yuzi’s first work can be a style-based work that lays a personal height. For this year’s Chinese music scene, it is also a combination of a man and a song. A typical example.

Qin Yuzi will sing, and as we all know, it is also the least necessary to use singles to prove things. Moreover, a singer-song singer recognized by many people as a singer, if the work once released is left to people to sing the impression, then the song is basically a failure. As the saying goes, the greater the ability and the greater the responsibility, the singing singer wants to break the game. There is only one way to go. It is to use singers in suitable works and use them in appropriate places.

Although LUNAA's first piece, Li Man Ting, was invited as a lyricist, she also used the beautiful, vivid and concise words to brighten the bright and envious temperament of the Moon Goddess. However, even though the work is excellent in production, it does not have the commercial flavor of using money to sing songs. The entire song, whether it is composed or arranged, and the piano performance by the composer Ye Huai-pei, or the harmony of Ma Yi-fen's teacher, are all finely crafted on the basis of elegance, and therefore there is a sense of art that the routine songs do not have.

If we say that the prevalence of Chinese language music is a vocal 1.0 era, then Qin Yuzi's interpretation of the song LUNA is undoubtedly the 2.0 era of singing. The skills in the entire work are hidden in various details in a hidden way, rather than in a more superficial way, above the song. But unlike those of the sensationalist singers, Qin Yuzi's foundation is doomed to seemingly indecent works. Inadvertently, there are often stunning details.

Starting from the beginning of the work and singing at a low level, Qin Yuzi at the Alto Division has given his works enough strength and sound line magnetism. Some small details of Shuffle deal with the individual who just rightly changes his mood and makes the music comfortable and natural. . And after the treble, Qin Yuzi's grace is not eager, bright but not noisy, like a natural extension of the transfer, it makes people think of R & B, but it is completely different from R & B's routines. The entire technique is fermented and promoted step by step through emotions.

Even at the highest point of the vocal, Qin Yuzi can show the same lingering and lingering emotions, and between retraction and restraint, in the form of restraint and temperance, more vocal and vocal voices are formed. White space, compared with the kind of work that is always used to sing high-pitched tops to the depressive, this kind of processing is not only more advanced, but also sounds even more interesting.

The harmonies sang by Qin Yuzi himself and the teacher Ma Yifen, with a harmony of vocal sounds, set off the beauty of the master's voice, and also reflected the three-dimensionality and layering of the human voice. In this era when each singer wants to prove his own voice is unique, he often ignores the beauty of singing and the cooperation and complete harmony of different voices. This is what LUNA did.

There is also an impressive part of LUNA's song, which is the singing and lyric song of the whole song. There is no obvious sense of separation. Li Manting's lyrics are in the song of Qin Yuzi, like the text of Qin Yuzi's singing in his own wind, and his meal is inseparable. In the composition of the work, there is basically no imprinting of the arrangement, just like the whole vocal part of the service, so as to really play the instrument against the vocal effect. This sounds like the meaning of the song. It is also something that song arrangers should do. In recent years, because of the lack of creativity in song production and the lack of imagination of singers singing, many works have infinitely highlighted the music of arrangers. This covers a lot of the expression functions that a song should have. Qin Yuzi's "LUNA," in a way that allows the song to return to the song, makes the song re-enchanting.

Text/love people


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