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OldBoy' hits the behind-the-scenes story of Decoding Sydney

Source:LinkedDB By:Linkeddb March 20,2018 07:56 AM

Produced by China Film Star 's well-known film and television productions, Liu Ye (actor) and Ariel Lin 's urban romance drama “ Old Boy ” starred in the broadcast, and they firmly captured the television and the entire network’s viewing champions. On March 11, the broadcast volume has exceeded 1 billion.

Wu Zheng, the captain of Liu Ye (actor), who was in the first episode, went into the sky and just drove down from thousands of miles and drove to the sea to dive. The first overseas city with beautiful natural scenery is Sydney in eastern Australia. In order to echo the wonderful stories and modern elements and ensure the film's "texture", the show chose to shoot across the two cities. Extensive overseas real-life shooting, in addition to providing extraordinary visual enjoyment, also brings a lot of challenges to the crew.

Due to the story setting and schedule arrangement, “Old Boy” plans to spend a lot of time on overseas shootings. In addition, a large number of overseas content shooting needs have caused the team to make multiple transitions during the intensive shooting time. Shooting from the bay dive to downtown downtown, and then to the suburban highway, the farthest shooting location needs to drive more than 3 hours.

Not only that, in Australia, it is necessary to follow strict Australian trade union standards, and there are strict standards for the daily and weekly working hours and strength of crew members. For example, if you start work for 6 hours, you must take a meal break for 1 hour to continue working. You can't work for a maximum of 6 days in a week. For excess time, fines will be strictly followed. Therefore, it is impossible to make progress overtime. However, in the concerted operation of Sydney Film Studios and Huacike Dayton and the super executive power of experienced Hollywood staff in Australia, this filming mission was completed satisfactorily. Some of Australia's filming operations went exceptionally smoothly. The Australian team’s exceptional professionalism was also unanimously praised by the teams in Shanghai and Taiwan. Director Liu Chun-Chieh told Australia's executive director Zou Nefertari Vivi and Zhong Jian after shooting in Australia. This is the most professional and efficient team he has worked with in foreign teams. The actor Liu Ye (actor) also thanked the Australian staff for their hard work.

How exactly did they do it? The rules of the Australian trade unions seem to be very troublesome, and they do restrict the flexibility of the crew, but in reality they are not always the case. On the other hand, it is precisely because of these strict rules that the Australian filmmakers are forced to make detailed plans before they can start. They must ensure that the Chinese team shoots demand, but also to meet the requirements of the Australian film and television industry, but also to ensure the seamless integration of Chinese and Australian teams. This has very high requirements on the professionalism and experience of the production team. The production team of both China and Australia, through the adequate communication of requirements in the early period, has formulated a precise plan, thus ensuring the shooting efficiency and also greatly improving the quality of the shooting. Hua Ceciton's production team said: “The pictures taken in Sydney are very beautiful and have added exoticism to Old Boy. The team at Sydney Film Production is very good and we hope to work with them again.”

The Australian producer of the play, Mr. Potting Man, regards the cooperation as another successful attempt of the Chinese-Australian film and television industry. He said: "With the increase in film and television cooperation between China and Australia, the work styles of the two film and television industry in China and in the West are getting more and more involved. We are pleased to see that the Chinese team filmed in Australia has learned about Western models. Both degrees and acceptances are getting higher and higher. This shows that international cooperation in film and television is already a general trend."

It is reported that the Sydney film production company created by Mr. Potting Male is developing several Sino-Australian co-production projects, including the short story “Origami” written by Liu Yukun, who also holds the Hugo Award, the Nebula Award and the World Fantasy Award. The script is under development and it is expected to start shooting at the end of next year.

The joining of high-end film and television talents from both China and Australia is also a key factor in the successful completion of filming. The director Liu Chun-Chieh is known as the "father of the Taiwanese idol drama." His " Lavender " and " Prince turned frog " have caused frenzy on both sides of the Taiwan Strait. The guiding style of Liu Zhirui’s vigorous and popular style has been praised by the Australian team.

"SevenBoy"'s deputy director Scott Moutter Lovelock in Australia has become the assistant director of the Chinese-American co-production " The Great Wall " directed by Zhang Yimou . With experience in Chinese and foreign cooperation, Scott Moutter has been able to perform on the scene. Whether underwater shooting or downtown shooting, he can always order hundreds of crews to work together.

With the vigorous development of the Chinese film and television industry, the audience’s aesthetic demand for culture is increasing. Many movies and TV series released this year, such as " good life ", " Negotiator ", " DETECTIVE CHINATOWN II ", " Wolf Warriors 2 ", etc. are all related to overseas shooting content. Overseas shooting or Chinese-foreign cooperation has become more and more Chinese. Producer's choice.