《An Orphans Tragedy》Cast

Chufan Wu (1911 - February 23, 1993), formerly known as Wu Hao, was the late Hong Kong Cantonese-language film actor and the famous actor Gao Luquan's brother. Born in Tianjin, he studied at Hong Kong's St. Paul's College. He graduated from Shanghai Jiaotong University and graduated from Peizheng High School in Hong Kong. He worked as a store salesman, factory manager, and hobby apprentice in the early years. He joined Shanghai Lianhua Film Company in 1932 and took part. "Night Shot" sounded and became the actor of the film. The famous work is "Lifeline." In 1937, he was chosen as a "South China movie actor" by the Guangzhou audience because he played two characters, "Father and Son," in "Life Song." During the fall of Hong Kong, the Star Theatre Group performed in Guangzhou Bay and Vietnam. After the victory of the Anti-Japanese War, he returned to Hong Kong and starred in the post-war first film "Flame of Love."

Wood Yau Cheung (1909-1985), formerly known as Zhang Gan, Meixian District, Meizhou City, Guangdong Province. In his early years, he studied at the second phase of the Guangzhou Cantonese opera development. After graduation, he participated in "Choi Wan-tien" and "Fung Lai-yi" and other theatrical troupes. Afterwards, he moved to the film and television industry and starred in The West Chamber, Lotus Lights, "Other TV series.

Kong Duen-Yee, known then as Mui Yee, was a Chinese movie star in Hong Kong.

Lee Jun-fan (Chinese: 李振藩; November 27, 1940 – July 20, 1973), known professionally as Bruce Lee (Chinese: 李小龍), was a Hong Kong and American actor, film director, martial artist, martial arts instructor, philosopher and founder of the martial art Jeet Kune Do one of the wushu or kungfu styles. Lee was the son of Cantonese opera star Lee Hoi-chuen. He is widely considered by commentators, critics, media, and other martial artists to be one of the most influential martial artists of all time, and a pop culture icon of the 20th century. He is often credited with helping to change the way Asians were presented in American films.