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Lei jia dunhuang ballad: a ballad standing before the historical scale

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One side of the soil has one side of the charm, in the singer Lei Jia In the music system, such charm becomes an indispensable element in the construction of works.

The west lake boating, wan yue's "unforgettable jasmine", is Lei Jia's soft and beautiful expression of jiangnan water town, on the more than good water.

An ode to the desert, an unrolled scroll of "dunhuang ballad," Lei Jia USES ballads to connect the two ends of history and reality, among the lyricistsVincent Fang (lyricist)In the heroic style, will "one sand one world" mysterious details to the world to see.

From west lake to dunhuang, in the form of "" picking the wind," "Lei Jia interprets and records the charm of various places with music. These works become the "new national style" ballads inheritance, and new era culture of the music record.

Dunhuang ballad naturally belongs to the category of "new national style", but it is also unique. This uniqueness comes from the fact that it is a brand new creation. Although it combines regional features, such as the use of drums and pipa, it is completely new in terms of composition, lyrics and composition. It is the author's understanding and interpretation of history on the time scale.

Lei Jia's debut composition makes dunhuang ballad even brighter. As the original theme song of the third silk road (dunhuang) international cultural expo "the night of the magnificent dunhuang". Lei Jia's composition not only shows her importance, but also her ability as music creator, which is different from the previous only singer's music ability.

Lei Jia's singing ability is not worth mentioning. As the combination of power and beauty, Lei Jia's main song's interpretation of beauty highlights the micro story. The chorus plays up the situation, highlighting the macro atmosphere. The singing Settings make the composition's music logic even more obvious.

Vincent Fang (lyricist) also writes in the micro and constructs the macro concept. The collocation of "one" plus quantifier throughout the whole word becomes his consistent expression skill of Chinese style.

"MerryGo - round"A cup of sorrow" and "a pot of drifting" in "dunhuang ballad" seems to extend more images. "One stroke", "one line", "one song", "one page", "one encounter" and "one faction". With the change in the direction of quantifier, the style of the song changes from figurative to abstract, from microscopic to macro, and gradually brings out the beauty of the concrete figure of "dunhuang" and the beauty of spiritual meaning in the author's understanding. & have spent

In the words like Vincent Fang (lyricist), the spiritual understanding of the core of "dunhuang" cannot escape the chivalrous spirit of "the world is for the public". It is the confidence of seeing the indifference of prosperity, experiencing the vicissitude of times, and believing in the road trip. Only through the interpretation of Lei Jia's tenderness, this kind of narrowness has been reduced, and Chinese culture's magnificence and beauty are more superior.

Writing about the past is always about looking at the present. In the context of China's "One Belt And One Road" initiative, the lyrics can also serve as an interpretation of China's international image. ... And I smile all the time."

This also gives this "dunhuang ballad" more historical significance of the former big ballad. (wen/liang xiaohui)

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